ART OF THE MASTERS Workshop

Hello, Artists,

gilbertsunnewsarticle6-2016

We are planning a workshop the week of November 14, 2016, which is our only opportunity window for quite a few months. Can you make it? We will also have a Free Prep Day on November 7, a week before the workshop, in order to help you get a wonderful start. The cost for the 5 days is $489.

Art of the Masters Workshop
When: Nov. 14-18, 2016
Where: Gilbert, Arizona
Time: daily, 9:00 – 5:00

If you feel undecided, maybe now is the time to get off that fence and embrace your true art self. We promise that you will get more step-by-step art instruction in one week with us, than you will get anywhere else, even in workshops that cost more than twice what we charge. We also give you helpful handouts (most art classes don’t) because we want you to be able to remember and continue working on what we’ve taught you. To us, the most important thing is continuing the legacy of the Old Masters, and we are passionate about passing on their wisdom and techniques to others. We would love to have you with us!

And like Maestro Frank Covino always did, we offer $100 off the cost of your tuition for each of your friends that sign up for the class.

Below is a sample of first-time student drawing (24″ x 30″), in preparation for painting. Amazing, huh!

Here are things needed for the Free Prep Day:

Materials for board preparation, graphing, and drawing:
Ampersand Gessobord brand surface
metal yardstick and ruler
ultra-fine Sharpies, various colors (black, blue, and red are probably enough)
General’s charcoal pencils, soft
kneaded eraser
High quality photo of Old Master painting to work from, printed on 8 1/2”x11” glossy photo paper, one grayscale, one color–Art Renewal Center is an excellent online museum source– https://artrenewal.org/pages/search.php
blending stumps (tortillions)
Exacto knife
spray workable fixative
clear tape
acetate

Other helpful items:
transparent 18” triangle
India ink and sable liner brush
artist’s white tape, removable

Please respond below, and we’ll get right back to you!

Marsha and Karen
Art of the Masters

ART OF THE MASTERS Workshop Wonders!

Jul6

Hello, Artists,

We thought you might want to see some of the work just completed at our first Art of the Masters workshop last week in Gilbert, Arizona. Karen and I were so proud of our students’ success thus far. Here are some pictures:

Shelly H. in early stages of drawing At the Fountain, after William-Adolphe Bouguereau, 1897

Shelley B. drawing The Laundress, after Jean-Baptiste Greuze, 1761

Teachers Marsha Gilliam (in the mirror) and Karen Schmeiser, with student Shelly H.

Completed charcoal drawing~

Completed drawing with partial verdaccio underpainting~

Below are the students’ drawings alongside actual paintings by Greuze and Bouguereau. When completed, students’ works will look like these original works, and Shelley and Shelly will have learned much about seeing, drawing and painting during this process of copying the Masters:

We hope you enjoyed seeing some student work, and hope you will be able to join us for our next event. Where else can new artists get a five-day workshop with two teachers for $489? We are in this to perpetuate the systems and processes of the Old Masters, and are planning another workshop in the fall, to be announced.

YOU CAN CAN CAN do this too,

Marsha and Karen 🙂

ART OF THE MASTERS WORKSHOP

Jun7

ANNOUNCEMENT—Art of the Masters classical oil painting workshop, plus free additional day.

Karen Schmeiser and I are carrying on Maestro Frank Covino’s legacy by teaching workshops here in the Phoenix Metro. It was an important decision for us, and since each of us have studied with Frank for over twelve years and we both love teaching, we honor his memory by doing our part to assure that these Old Master techniques do not get lost.

Learn to paint like the Old Masters.
Receive the expertise of two instructors (Marsha Gilliam and Karen Schmeiser) as you learn the methods of the Old Masters in a 5-day workshop, June 27-July 1, 2016 Open to artists of all levels. Get more instruction for your money.
Cost: $489. If you check the prices of art workshops these days, you will find they cost nearly twice as much. A supply list will be provided upon registration.
Also included at no extra charge is a free preparation day on June 20, 2016, to help you properly begin your drawing on your painting panel.

YOU can do this! The three most important things to bring with you are your patience, your determination, and an accepting mind. Here are examples of what you can expect to achieve:

First painting by Karen Schmeiser:

KarenTheShepherdessBouguereau

Copy of The Shepherdess, 1866, after Johann Baptist Hofner

First painting by Marsha Gilliam:

MVC-004F

Copy of Girl with a Pearl Earring, 1665, after Johannes Vermeer

The author and associate editor of the East Valley Tribune, Srianthi Perera, recently published this article about our upcoming workshop, and there is also an article about it just released in The Gilbert Sun News https://issuu.com/timespub/docs/gsn_june_2016_issue:

We hope you will join us–it was a life-changing experience for us, and we hope it will be for you, too.

Sincerely,

Marsha and Karen

PAINTING WORKSHOP IS COMING UP

May29

Hello, Artists~~

The author and associate editor of the East Valley Tribune, Srianthi Perera, just published an eloquent article today about our upcoming workshop. Karen and I wanted to share it with you:

Learn to paint like the Old Masters.
Receive the expertise of two instructors (Marsha Gilliam and Karen Schmeiser) as you learn the methods of the Old Masters in a 5-day workshop, June 27-July 1, 2016. Open to artists of all levels. Get more instruction for your money.
Cost: $489. If you check the prices of art workshops these days, you will find they cost nearly twice as much.

YOU can do this too,

Marsha and Karen

WE’RE STARTING TO TEACH WORKSHOPS–ALL LEVELS ARE WELCOME

May19

ANNOUNCEMENT—Art of the Masters oil painting workshop and Open House!!!

Learn to paint like the Old Masters.

Receive the expertise of two instructors (Marsha Gilliam and Karen Schmeiser) as you learn the methods of the Old Masters in a 5-day workshop, June 27-July 1, 2016. Open to artists of all levels. Get more instruction for your money.

Interested students are invited to an Open House, May 31, 7:00-8:00 p.m., where you will sign up for the upcoming workshop, receive needed info, and actually see painted models of what you will be creating. Light refreshments will be served.

Please RSVP for the Open House (see contact form below).

The three most important things to bring with you are your patience, your determination, and an accepting mind.

Karen Schmeiser and I have decided to carry on Frank Covino’s legacy by teaching workshops here in the Phoenix Metro. It was a big decision for us , but we feel that, since each of us have studied with Frank for over twelve years and we both love teaching, we owe it to him to assure that these Old Master techniques do not get lost. Here is an example of what you can expect to achieve:

First painting by Karen Schmeiser:

KarenTheShepherdessBouguereau

First painting by Marsha Gilliam:

MVC-004F

YOU can do this too!

All the best to you,

Marsha

SHARING A NOTE FROM FRANK COVINO, DECEMBER, 2015

Feb28

Hello, Fellow Artists,

Here is a picture of Frank Covino’s famous copy of the Mona Lisa, taken by our friend and Arizona Renaissance Art Guild member, Val Maugham, and another photo from the blog:

CovinoMonaLisa CovinoMonaLisa1

Charlene wanted to share with you all, this heartfelt message from Frank about the beautiful scrapbook Pat McKinley assembled and sent to Frank at Christmas time to cheer him through his treatments.

In addition, the pictures below were taken at the November 2015 Covino workshop we held, sadly, without Frank. He was scheduled to teach us, but he had the heart attack shortly before and then the cancer was discovered, so we went ahead with it anyway; the room was already reserved, and we had a good workshop, quoting “Frankisms” to each other. We watched his videos part of the time (see the monitor) and painted for the remainder. We weren’t always all there at the same time, but a few sample pictures are posted below.

Here is the note from Frank:

Good Morning Charlene…

Words cannot express the joy I felt when thumbing through the photo album that I received from Pat. Every photo of every painting brought back the memory of its development. While I may have guided the students, the artwork is by their hand, and the sophistication of their achievements gives credence to all of my guidance, in preserving the Classical Academic tradition. I believe that God will bless the Mormons for perpetuating admiration for the Classics throughout the recalcitrant 20th century.

While I may feel weak and impotent through this crisis, there is light at the end of the dark tunnel, and, with prayers from so many of my students and my family, I look forward to my full recovery. The album of photos that Pat has organized has helped to relieve the pain and debilitation of the Radiation treatments, while my month of succumbing to the after-effects of the brutal blood thinner drugs has passed. The drugs really made me loopy…cold…unsteady…and dizzy… especially since they denied my regular Vitamin and Mineral schedule. Most debilitating has been the lethargy that ensued, from laying in a hospital bed for so long. My body is used to being more active; I long to get back to the gym. The muscle developed from all those hours of exercise in the gym is wasting, rapidly, and I am beginning to look my age.

I’ll write to Pat, since I don’t have her e-mail, but please extend my gratitude to all of the students who participated in the creation of this wonderful album. Every photo has brought back precious memories.

Sincerely,

Frank

FRANK COVINO, LONG-TIME FRIEND AND MENTOR, HAS PASSED

Feb20

Covino Portrait1 P1070431 PaintingWorkshopCovinoFrank4-2015

Dear Artists and Friends,

It is with ineffable sadness in our hearts, that I must report this news. Our friend and long-time art teacher and mentor, Maestro Frank Covino, passed away suddenly on Tuesday, February 16, 2016, after being pronounced “cleared of cancer” just last week.

If I may use a bold simile, his loss feels like looking up at the mountains in Sugarbush, where Frank worked hard to build the home he loved, and seeing that the grandest of summits has disappeared from our sight.

Here is a note from his wife, Barbara Covino, that you will all want to read:

Subject: It is with a deep abiding sorrow in my heart that I write this letter…forgive the delay but it has taken time to believe this is true…

Beloved friends and family , one and all,

After two days of profoundest shock, and countless tears I realize I must write you. It is with a heavy, heavy heart that i must inform you that dear Frank has passed away unexpectedly on Tuesday night, February 16th. It was quick and he did not suffer–a death we would all prefer–but he had been progressing so well, it was a gut-wrenching shock that still is unbelievable.

I truly cannot imagine a world, or a life without him…32 years of happiness and adventure. Life was never boring with him!!! What an amazing talent, a brilliant man with a wealth of knowledge, a gentle and sensitive man who had to excel in everything he did, and was thus an inspiration to all who knew him. He encouraged others to strive for excellence and to believe in themselves, giving them the tools to create a positive reality in their lives, whether it be art or health. We all can repeat that golden maxim: IT’S NEVER TOO LATE TO AMELIORATE! Wise encouraging words, those.

But he was more than the sum of his parts; he was a genuine force of nature, a real Renaissance man, but above all else, he had a kind heart and a very great soul. We all loved him so; there will never be another Frank. But I know it is now time for each and every one of us who was touched by his life, to take that spark and pass it on. He gave us wings and it is time for us to fly…Make him proud!!!

I am too choked up to continue writing. God Bless each and every one of you who had a place in his heart…family, friends, students….He loved you all sincerely and without guile….

We are in the process of collaborating with the family and planning both a smaller family funeral as well as a larger set of celebrations of his life and legacy open to all who loved him–one in Vermont and one on Long island. As soon as the Covino south clan and Mark and Jennifer and I hammer out the details, I will email you all, soon as can be done.

We are going to give that wonderful man a send off he won’t soon forget!!!

Love and blessings , Barbara Covino

PS: PLEASE FORWARD THIS to everyone you can think of. It has grown into a cast of hundreds, and forgive the delay but it has taken time to believe this is true.

EXAMPLE OF HOW TO PAINT OBJECTS WITH SPECTRUM WHITES

Oct15

Yesterday, I was on the phone trying to explain to a friend, how to paint white objects with the spectrum. Without the visuals it was difficult, so after we hung up, I decided to prepare a quick example for the blog.

The order of the rainbow spectrum (dark to light) is purple, purple-blue, blue, blue-green, green, yellow-green, yellow, yellow-red, red, and red-purple. In order to match the rainbow’s values and their respective hues, we need to start where the rainbow starts. Using a 9-value scale with value 4 as spectrum purple, we work our way up the value scale from there:

4–Purple (cobalt violet)

5–Purple-Blue (ultramarine)

6–Blue (cerulean)

7–Blue-Green (viridian)

8–Green (hansa yellow plus thalo green)

9–Yellow-Green (hansa yellow plus thalo green)

White–Yellow (cadmium yellow lt.)

White–Yellow-red (cadmium orange)

White–Red (napthol red lt.)

White–Red-Purple (alizarin crimson perm.)

Here is how to think about that: since cobalt violet is a value 1 in the tube, we have to lighten it with white until it is a value 4, then put it in its proper place on the palette. Likewise, ultramarine blue is also value 1 in the tube so we need to lighten it with white until it is a value 5. Next in the spectrum is cerulean blue; it is a value 3 in the tube, so it requires less white to make it a value 6.

Continue working up the rainbow spectrum through value 9 yellow-green, as listed above. The last three hues (not shown–unfortunately, I neglected to photograph those) are simply white with a tint of cadmium orange, then napthol red in the next pile of white, and finally, permanent alizarin crimson in the final white. Here is the palette to this point, sans the YR, R, and RP mixed with white:

After mixing each hue to its proper value (pictured above), place the corresponding value 4-9 greys, plus 4 piles of white on your palette:

Then tint each of the greys with a just a touch of their corresponding hues:

Preparing a brief palette was all I intended to do when I began, but then I thought, “Why don’t I just do a quick painting of a white object and put the whole project on the blog? Since I only had an hour to spare, I did something easy:

And because my little enameled pitcher looked like it was floating in the air, I mixed together, everything on my value 4 and 5 spaces, and made the table color. Then I marbled the remaining paint together (without values 4 and 5) and spread it with a palette knife for the background of my little painting:

A White Pitcher, 4″ x 6″

Someday, I may give it a single flower and some touch-ups but, for now, this is it. Master painter, Charlene Higley, will be teaching all of us how to mix spectrum whites for light, shadow, and seascapes. Feel free to contact me by posting below, if you would like to attend (free) the 2-3-hour class in March, 2016. It will be held in Gilbert, Arizona.

Karen Schmeiser, another master painter in our Arizona Renaissance Art Guild, has a lot of experience with using the spectrum white palette. She is currently working on this painting. Notice the effect of the subject’s lighting. She has added the color of the candlelight to each of her spectrum values to portray the white garment:

I hope this helps you.

And please don’t forget about Frank Covino’s workshop coming up in Gilbert, Arizona on November 9-13, 2015. We still have space if you want to come. See the post, Workshop Announcement, dated Sept. 27, 2015. Contact me through this blog if you are interested.

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All the best,
Marsha

WORKSHOP ANNOUNCEMENT!

Sep27

Dear Artists,

The Frank Covino Workshop is seven weeks away. This may seem pointed, but…

We never know if this is the last chance we will have of being taught by one of the world’s greatest master teachers of oil painting in the manner of the Old Masters. In October, Frank will be in his mid-eighties and his traveling might be curtailed at any time. When we are with him, I think we sometimes take his presence for granted, but in this next workshop, as much as possible, we should hang on his every word, watch what he does at each workstation, audio-record what he says, take thorough notes, and ask good questions.

Have you priced workshops lately? There is no big-name artist today holding a serious workshop for less than $1,000 (Frank’s is $695), and a big name, does not a great teacher make. I have forked out my money for this, first hand, and I can tell you, Frank is one of the few “greats” alive today that can actually TEACH others how to paint. They may be wonderful painters themselves, but they frequently can’t convey their knowledge to students. Thus, you come away learning less than a tenth of what you would learn spending one week (and a lot less money) with Frank. That’s like getting 10 half-days VS. just 1 half-day, $300 cheaper.

I apologize if this sounds a bit like a sales pitch, but it isn’t–I have to pay the same amount as you do, plus do some of the behind the scenes prep work. It’s just that to avail ourselves of the joy of this knowledge while Frank is still with us, is such a privilege. There is nothing else like giving pleasure to our family and friends through our art–that wonderful feeling of giving a painting or a giclee’ to someone you love, and seeing their smiles and pride when they hang it on their wall. It would be terrible to look back and think, “If only I had taken his class when I could have…now it’s too late.”

Here is a sample of what you can learn to do at Frank’s workshop:

Here are the details–

What: Frank Covino Workshop
When: November 9-13, 2015
Where: Gilbert, Arizona

A $200 deposit is due on Oct. 9, three weeks from now.

There will be space for a maximum of 12 people.

Frank is offering a special treat–If you sign up a new student, you AND the student each get $100 off the tuition (only 2 given per workshop).

Keep your tunnel vision set toward Frank’s instructions, and you will be creating exquisite paintings this year that will still be around 300 years from now, because they will be so good that anyone who owns them, will not part with them! Remember, it’s better to spend a few weeks creating one work of significant art, than painting 10 quick ones that will end up in garage sales and bought for the frames they’re in (I’ve done this many times–have you?).

If any readers out there would like to join this workshop or have any questions, just comment below, and we will be in touch.

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All the best,
The Arizona Renaissance Art Guild

PAINTINGS FROM A WORKSHOP

Jun10

The Arizona Renaissance Art Guild had a workshop with Frank Covino in April this year, 2015, and since we plan on another one later this November, I thought I would post these paintings for everyone to see some of the processes and quality of work generated. Keep in mind that all of them are in different stages of completion. Some were just begun by new students in the workshop, and some are the result of weeks of work by seasoned artists.

Whether you are someone who has always wanted to paint but never had the time, or whether you are a seasoned artist wanting to learn different techniques, you are welcome to join our workshop in November. Stay tuned. As soon as I get definite dates, I’ll let you know. Enjoy the photos: