ART OF THE MASTERS Workshop

Hello, Artists,

gilbertsunnewsarticle6-2016

We are planning a workshop the week of November 14, 2016, which is our only opportunity window for quite a few months. Can you make it? We will also have a Free Prep Day on November 7, a week before the workshop, in order to help you get a wonderful start. The cost for the 5 days is $489.

Art of the Masters Workshop
When: Nov. 14-18, 2016
Where:  Gilbert, Arizona
Time: daily, 9:00 – 5:00

If you feel undecided, maybe now is the time to get off that fence and embrace your true art self. We promise that you will get more step-by-step art instruction in one week with us, than you will get anywhere else, even in workshops that cost more than twice what we charge. We also give you helpful handouts (most art classes don’t) because we want you to be able to remember and continue working on what we’ve taught you. To us, the most important thing is continuing the legacy of the Old Masters, and we are passionate about passing on their wisdom and techniques to others. We would love to have you with us!

And like Maestro Frank Covino always did, we offer $100 off the cost of your tuition for each of your friends that sign up for the class.

Below is a sample of first-time student drawing (24″ x 30″), in preparation for painting.  Amazing, huh!

P1110792

Here are things needed for the Free Prep Day:

Materials for board preparation, graphing, and drawing:
Ampersand Gessobord brand surface
metal yardstick and ruler
ultra-fine Sharpies, various colors (black, blue, and red are probably enough)
General’s charcoal pencils, soft
kneaded eraser
High quality photo of Old Master painting to work from, printed on 8 1/2”x11” glossy photo paper, one grayscale, one color–Art Renewal Center is an excellent online museum source– https://artrenewal.org/pages/search.php
blending stumps (tortillions)
Exacto knife
spray workable fixative
clear tape
acetate

Other helpful items:
transparent 18” triangle
India ink and sable liner brush
artist’s white tape, removable

Please respond below, and we’ll get right back to you!

Marsha and Karen
Art of the Masters

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THE SPIRIT OF FRANK COVINO

CovinoMarshaAndFrankPhoto2009

Hello Artists,

The spirit of Frank Covino visited me this morning and I wound up with white paint on the back of my hand, that had transferred to the sink and countertop before I realized it.  I searched all over but couldn’t find the source, and was blaming the cats for perhaps stealing a tube of my paint–so I was frantically looking for that as well–don’t need any mentally challenged lead-white-eater kitties in my life.

My husband found the source on the underside of a shelf wire in the refrigerator, the result of a paint storing fiasco last week.  I thought I had cleaned it up thoroughly, but I guess not.  It’s amazing how far a little dot of paint can travel when you don’t want it to.

Remember how Frank was so good at getting more paint on our painting tables and on himself, than on our canvases? 🙂  So, two days before Karen Schmeiser and I begin our Art of the Masters workshops in Arizona, I’m guessing Frank stopped by this morning on his Memorial Celebration Day to remind me to loosen up and not be so picky about making a mess with paint.

Frank will always live on in all our hearts and memories of him.  Will you please share below, some of your memories with the rest of us?

Peace.

FRANK COVINO, LONG-TIME FRIEND AND MENTOR, HAS PASSED

Covino Portrait1P1070431PaintingWorkshopCovinoFrank4-2015

Dear Artists and Friends,

It is with ineffable sadness in our hearts, that I must report this news.  Our friend and long-time art teacher and mentor, Maestro Frank Covino, passed away suddenly on Tuesday, February 16, 2016, after being pronounced “cleared of cancer” just last week.

If I may use a bold simile, his loss feels like looking up at the mountains in Sugarbush, where Frank worked hard to build the home he loved, and seeing that the grandest of summits has disappeared from our sight.

Here is a note from his wife, Barbara Covino, that you will all want to read:

Subject: It is with a deep abiding sorrow in my heart that I write this letter…forgive the delay but it has taken time to believe this is true…

Beloved friends and family , one and all,

After two days of profoundest shock, and countless tears I realize I must write you.  It is with a heavy, heavy heart that i must inform you that dear Frank has passed away unexpectedly on Tuesday night, February 16th.  It was quick and he did not suffer–a death we would all prefer–but he had been progressing so well, it was a gut-wrenching shock that still is unbelievable.

I truly cannot imagine a world, or a life without him…32 years of happiness and adventure.  Life was never boring with him!!! What an amazing talent, a brilliant man with a wealth of knowledge, a gentle and sensitive man who had to excel in everything he did, and was thus an inspiration to all who knew him.  He encouraged others to strive for excellence and to believe in themselves, giving them the tools to create a positive reality in their lives, whether it be art or health.  We all can repeat that golden maxim: IT’S NEVER TOO LATE TO AMELIORATE! Wise encouraging words, those.

But he was more than the sum of his parts; he was a genuine force of nature, a real Renaissance man, but above all else, he had a kind heart and a very great soul. We all loved him so; there will never be another Frank.  But I know it is now time for each and every one of us who was touched by his life, to take that spark and pass it on.  He gave us wings and it is time for us to fly…Make him proud!!!

I am too choked up to continue writing.  God Bless each and every one of you who had a place in his heart…family, friends, students….He loved you all sincerely and without guile….

We are in the process of collaborating with the family and planning both a smaller family funeral as well as a larger set of celebrations of his life and legacy open to all who loved him–one in Vermont and one on Long island.  As soon as the Covino south clan and Mark and Jennifer and I hammer out the details, I will email you all, soon as can be done.

We are going to give that wonderful man a send off he won’t soon forget!!!

Love and blessings , Barbara Covino

PS: PLEASE FORWARD THIS to everyone you can think of. It has grown into a cast of hundreds, and forgive the delay but it has taken time to believe this is true.

EXAMPLE OF HOW TO PAINT OBJECTS WITH SPECTRUM WHITES

Yesterday, I was on the phone trying to explain to a friend, how to paint white objects with the spectrum. Without the visuals it was difficult, so after we hung up, I decided to prepare a quick example for the blog.

The order of the rainbow spectrum (dark to light) is purple, purple-blue, blue, blue-green, green, yellow-green, yellow, yellow-red, red, and red-purple.  In order to match the rainbow’s values and their respective hues, we need to start where the rainbow starts. Using a 9-value scale with value 4 as spectrum purple, we work our way up the value scale from there:

4–Purple (cobalt violet)

5–Purple-Blue (ultramarine)

6–Blue (cerulean)

7–Blue-Green (viridian)

8–Green (hansa yellow plus thalo green)

9–Yellow-Green (hansa yellow plus thalo green)

White–Yellow (cadmium yellow lt.)

White–Yellow-red (cadmium orange)

White–Red (napthol red lt.)

White–Red-Purple (alizarin crimson perm.)

Here is how to think about that: since cobalt violet is a value 1 in the tube, we have to lighten it with white until it is a value 4, then put it in its proper place on the palette.  Likewise, ultramarine blue is also value 1 in the tube so we need to lighten it with white until it is a value 5.  Next in the spectrum is cerulean blue; it is a value 3 in the tube, so it requires less white to make it a value 6.

Continue working up the rainbow spectrum through value 9 yellow-green,  as listed above. The last three hues (not shown–unfortunately, I neglected to photograph those) are simply white with a tint of cadmium orange, then napthol red in the next pile of white, and finally, permanent alizarin crimson in the final white.  Here is the palette to this point, sans the YR, R, and RP mixed with white:
P1100611

After mixing each hue to its proper value (pictured above), place the corresponding value 4-9 greys, plus 4 piles of white on your palette:
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Then tint each of the greys with a just a touch of their corresponding hues:
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Preparing a brief palette was all I intended to do when I began, but then I thought, “Why don’t I just do a quick painting of a white object and put the whole project on the blog? Since I only had an hour to spare, I did something easy:

P1100620

And because my little enameled pitcher looked like it was floating in the air, I mixed together, everything on my value 4 and 5 spaces, and made the table color. Then I marbled the remaining paint together (without values 4 and 5) and spread it with a palette knife for the background of my little painting:
P1100622
A White Pitcher, 4″ x 6″

Someday, I may give it a single flower and some touch-ups but, for now, this is it.  Master painter, Charlene Higley, will be teaching all of us how to mix spectrum whites for light, shadow, and seascapes.  Feel free to contact me by posting below, if you would like to attend (free) the 2-3-hour class in March, 2016.  It will be held in Gilbert, Arizona.

Karen Schmeiser, another master painter in our Arizona Renaissance Art Guild, has a lot of experience with using the spectrum white palette.  She is currently working on this painting.  Notice the effect of the subject’s lighting.  She has added the color of the candlelight to each of her spectrum values to portray the white garment:

Karen

Karen1

I hope this helps you.

And please don’t forget about Frank Covino’s workshop coming up in Gilbert, Arizona on November 9-13, 2015.  We still have space if you want to come.  See the post, Workshop Announcement, dated Sept. 27, 2015.  Contact me through this blog if you are interested.

Follow my blog to get the latest post sent to you.

All the best,
Marsha

WORKSHOP ANNOUNCEMENT!

Dear Artists,

The Frank Covino Workshop is seven weeks away. This may seem pointed, but…

We never know if this is the last chance we will have of being taught by one of the world’s greatest master teachers of oil painting in the manner of the Old Masters. In October, Frank will be in his mid-eighties and his traveling might be curtailed at any time. When we are with him, I think we sometimes take his presence for granted, but in this next workshop, as much as possible, we should hang on his every word, watch what he does at each workstation, audio-record what he says, take thorough notes, and ask good questions.

Have you priced workshops lately? There is no big-name artist today holding a serious workshop for less than $1,000 (Frank’s is $695), and a big name, does not a great teacher make. I have forked out my money for this, first hand, and I can tell you, Frank is one of the few “greats” alive today that can actually TEACH others how to paint. They may be wonderful painters themselves, but they frequently can’t convey their knowledge to students. Thus, you come away learning less than a tenth of what you would learn spending one week (and a lot less money) with Frank. That’s like getting 10 half-days VS. just 1 half-day, $300 cheaper.

I apologize if this sounds a bit like a sales pitch, but it isn’t–I have to pay the same amount as you do, plus do some of the behind the scenes prep work. It’s just that to avail ourselves of the joy of this knowledge while Frank is still with us, is such a privilege. There is nothing else like giving pleasure to our family and friends through our art–that wonderful feeling of giving a painting or a giclee’ to someone you love, and seeing their smiles and pride when they hang it on their wall. It would be terrible to look back and think, “If only I had taken his class when I could have…now it’s too late.”

Here is a sample of what you can learn to do at Frank’s workshop:
PaintingWorkshopCovino4-2015Bouguereau
Here are the details–

What: Frank Covino Workshop
When: November 9-13, 2015
Where: Gilbert, Arizona

A $200 deposit is due on Oct. 9, three weeks from now.

There will be space for a maximum of 12 people.

Frank is offering a special treat–If you sign up a new student, you AND the student each get $100 off the tuition (only 2 given per workshop).

Keep your tunnel vision set toward Frank’s instructions, and you will be creating exquisite paintings this year that will still be around 300 years from now, because they will be so good that anyone who owns them, will not part with them! Remember, it’s better to spend a few weeks creating one work of significant art, than painting 10 quick ones that will end up in garage sales and bought for the frames they’re in (I’ve done this many times–have you?).

If any readers out there would like to join this workshop or have any questions, just comment below, and we will be in touch.

Follow my blog to get the latest post sent to you.

All the best,
The Arizona Renaissance Art Guild

PAINTINGS FROM A WORKSHOP

The Arizona Renaissance Art Guild had a workshop with Frank Covino in April this year, 2015, and since we plan on another one later this November, I thought I would post these paintings for everyone to see some of the processes and quality of work generated.  Keep in mind that all of them are in different stages of completion.  Some were just begun by new students in the workshop, and some are the result of weeks of work by seasoned artists.

Whether you are someone who has always wanted to paint but never had the time, or whether you are a seasoned artist wanting to learn different techniques, you are welcome to join our workshop in November.  Stay tuned.  As soon as I get definite dates, I’ll let you know.  Enjoy the photos:

PaintingWorkshopCovino4-2015Charlene1

Work in progress, by Charlene Higley

PaintingWorkshopCovino4-2015Charlene

PaintingWorkshopCovino4-2015

PaintingWorkshopCovino4-2015Bouguereau

PaintingWorkshopCovino4-2015Bill

PaintingWorkshopCovino4-2015Bill1

PaintingWorkshopCovino4-2015Glori

Work in progress, by Glori Robison

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PaintinWorkshopCovino4-2015Pat

Work in progress, by Pat McKinley

PaintingWorkshopCovino4-2015Pat1

PaintingWorkshopCovino4-2015Cheri

Work in progress, by Cheri Stucke

PaintingWorkshopCovino4-2015Cheri1

PaintingWorshopCovino4-2015Barb

Work in progress, by Barb Franelli

PaintinWorkshopCovino4-2015Karen

Work in progress, by Karen Schmeiser

PaintingWorkshopCovino4-2015Karen1

PaintingWorkshopCovino4-2015Karen2

PaintingWorkshopCovino4-2015Karen3

PaintingWorkshopCovino4-2015Karen4

PaintingWorkshopCovino4-2015RickFarmworker

PaintingWorkshopCovino4-2015Rick

PaintingWorkshopCovino4-2015Sariah

by Sariah Clonts

PaintingWorkshopCovinoFrank4-2015

Frank Covino, Modern Master and Teacher Extraordinaire

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All the best,

Marsha

 

MONA LISA’S SKELETON FOUND?

Leonardo Da Vinci’s model for the Mona Lisa may have been found by a research team in Italy who discovered three skeletons in the basement of a old, now unused convent in Florence last year, where Lisa Gherardini likely spent her final months.

 MonaLisaTomb

Photo by http://www.irishtimes.com/news/world/florence-tomb-opened-in-search-for-mona-lisa-1.1490726

Silvano Vinceti, of Italy’s National Committee for Cultural Heritage, said that another tomb in Florence contains relatives of Lisa Gherardini del Giacondo, probably her son Piero, and that, “Right now we are carrying out carbon-14 tests on three of the eight skeletons found in St. Ursula. The carbon-14 test will tell us which of the three dates back to the 1500s. Only then will we know which skeleton to do the final DNA test on.” After that, they plan to do a digital reconstruction of her face.

For more on this story, go to:

http://www.independent.co.uk/news/world/europe/researchers-open-florence-tomb-in-search-for-identity-of-the-real-mona-lisa-8755463.html

For a picture of the skull:

http://www.independent.co.uk/news/science/archaeology/news/the-dig-that-may-have-unearthed-leonardos-muse-8196544.html

Another version of Mona Lisa discovered:

MonaLisaLouvrePrado

photo by http://www.theartnewspaper.com/articles/Earliest-copy-of-Mona-Lisa-found-in-Prado/25514

http://www.independent.co.uk/arts-entertainment/art/news/so-she-truly-was-leonardos-labour-of-love-7645955.html

The Arizona Renaissance Art Guild does one-week workshop intensives three times per year, and in addition, we get together to paint all day on the third Saturday of every month.  If you are in the Phoenix Metro area and are interested in finding out more or possibly joining our colony, please let me know through this blog.  ~Marsha